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Friday, April 20, 2012

MOVIE REVIEW - 'CHIMPANZEE' (I Wanna See This!)

Movie review: 'Chimpanzee'

With a wealth of informative TV wildlife programming already in the marketplace, Disneynature faces a Darwinian dilemma. How can the studio's zoology unit create films that will put paying audiences in theaters? In “Chimpanzee,” the strategy is clear: Make dramas, not documentaries. With its emphasis on entertainment rather than edification, the film occupies a warm-and-fuzzy middle ground between “The Jungle Book” and Animal Planet.

The new nature film follows a baby chimp named Oscar and his clan, observing them as they forage, use tools, play games, and care for one another. Just like humans, our primate relatives grapple with issues of dominance, family organization, reciprocation, competition and altruism. They even make war, fending off a rival pack of chimps that wants their nut grove. We face most of the same problems, and sometimes we come up with the same solutions.
Filmmakers Alastair Fothergill and Mark Linfield get intimately close to their subjects. In shots of chimps learning to crack hard-shell nuts with rocks, you can almost feel the sting when they whack a toe instead. When Oscar's life takes a sad turn midway through the film, the story becomes a real-life “Bambi of the Apes.”

Tim Allen's folksy narration fulfills its mission, which is not to deliver Jane Goodall-quality anthropology but to show kids that wild animals are amazing. So are the jungle plants. Some of this visually gorgeous film's most indelible images show puffballs shooting out spores in slow motion, phosphorescent fungi glowing at midnight, and delicate mushrooms growing in time-lapse hyperspeed. The film is not designed to answer every question but to inspire youthful curiosity.
The youth-friendly plotline involves Oscar's primal need to find his own place in the hierarchy, while the group battles villainous antagonist Scar and his pack. Purists may object to covering animal tales with cheesy sentimentality, but there's nothing wrong with capturing your viewers' hearts en route to their heads.
At one touching turn, I heard a small voice in the row behind me stoutly declare, “I am not crying.” Job well done.
— Colin Covert, Star Tribune (Minneapolis)


Thursday, April 19, 2012

NEWS - 'AMERICAN BANDSTAND' HOST DICK CLARK HAS DIED

'American Bandstand' host Dick Clark has died


LOS ANGELES (AP) — Dick Clark, the ever-youthful television host and tireless entrepreneur who helped bring rock 'n' roll into the mainstream on "American Bandstand," and later produced and hosted a vast range of programming from game shows to the year-end countdown from Times Square on "New Year's Rockin' Eve," has died. He was 82.
Spokesman Paul Shefrin said Clark had a heart attack Wednesday morning at Saint John's hospital in Santa Monica, a day after he was admitted for an outpatient procedure.
Clark had continued performing even after he suffered a stroke in 2004 that affected his ability to speak and walk.
Long dubbed "the world's oldest teenager" because of his boyish appearance, Clark bridged the rebellious new music scene and traditional show business, and equally comfortable whether chatting about music with Sam Cooke or bantering with Ed McMahon about TV bloopers. He thrived as the founder of Dick Clark Productions, supplying movies, game and music shows, beauty contests and more to TV. Among his credits: "The $25,000 Pyramid," ''TV's Bloopers and Practical Jokes" and the American Music Awards.
For a time in the 1980s, he had shows on all three networks and was listed among the Forbes 400 of wealthiest Americans. Clark also was part of radio as partner in the United Stations Radio Network, which provided programs — including Clark's — to thousands of stations.
"There's hardly any segment of the population that doesn't see what I do," Clark told The Associated Press in a 1985 interview. "It can be embarrassing. People come up to me and say, 'I love your show,' and I have no idea which one they're talking about."
The original "American Bandstand" was one of network TV's longest-running series as part of ABC's daytime lineup from 1957 to 1987. It later aired for a year in syndication and briefly on the USA Network. Over the years, it introduced stars ranging from Buddy Holly to Madonna. The show's status as an American cultural institution was solidified when Clark donated Bandstand's original podium and backdrop to the Smithsonian Institution.
Clark joined "Bandstand" in 1956 after Bob Horn, who'd been the host since its 1952 debut, was fired. Under Clark's guidance, it went from a local Philadelphia show to a national phenomenon.
"I played records, the kids danced, and America watched," was how Clark once described the series' simplicity. In his 1958 hit "Sweet Little Sixteen," Chuck Berry sang that "they'll be rocking on Bandstand, Philadelphia, P-A."

As a host, he had the smooth delivery of a seasoned radio announcer. As a producer, he had an ear for a hit record. He also knew how to make wary adults welcome this odd new breed of music in their homes.
Clark endured accusations that he was in with the squares, with critic Lester Bangs defining Bandstand as "a leggily acceptable euphemism of the teenage experience." In a 1985 interview, Clark acknowledged the complaints. "But I knew at the time that if we didn't make the presentation to the older generation palatable, it could kill it."
"So along with Little Richard and Chuck Berry and the Platters and the Crows and the Jayhawks ... the boys wore coats and ties and the girls combed their hair and they all looked like sweet little kids into a high school dance," he said.
But Clark defended pop artists and artistic freedom, the Rock and Roll Hall of Fame said in an online biography of the 1993 inductee. He helped give black artists their due by playing original R&B recordings instead of cover versions by white performers, and he condemned censorship.
His stroke in December 2004 forced him to miss his annual appearance on "Dick Clark's New Year's Rockin' Eve." He returned the following year and, although his speech at times was difficult to understand, many praised his bravery, including other stroke victims.
Still speaking with difficulty, he continued taking part in his New Year's shows, though in a diminished role. Ryan Seacrest became the main host.
"I'm just thankful I'm still able to enjoy this once-a-year treat," he told The Associated Press by e-mail in December 2008 as another New Year's Eve approached.
He was honored at the Emmy Awards in 2006, telling the crowd: "I have accomplished my childhood dream, to be in show business. Everybody should be so lucky to have their dreams come true. I've been truly blessed."
He was born Richard Wagstaff Clark in Mount Vernon, N.Y., in 1929. His father, Richard Augustus Clark, was a sales manager who worked in radio.
Clark idolized his athletic older brother, Bradley, who was killed in World War II. In his 1976 autobiography, "Rock, Roll & Remember," Clark recalled how radio helped ease his loneliness and turned him into a fan of Steve Allen, Arthur Godfrey and other popular hosts.
From Godfrey, he said, he learned that "a radio announcer does not talk to 'those of you out there in radio land'; a radio announcer talks to me as an individual."
Clark began his career in the mailroom of a Utica, N.Y., radio station in 1945. By age 26, he was a broadcasting veteran, with nine years' experience on radio and TV stations in Syracuse and Utica, N.Y., and Philadelphia. He held a bachelor's degree from Syracuse University. While in Philadelphia, Clark befriended McMahon, who later credited Clark for introducing him to his future "Tonight Show" boss, Johnny Carson.
In the 1960s, "American Bandstand" moved from black-and-white to color, from weekday broadcasts to once-a-week Saturday shows and from Philadelphia to Los Angeles. Although its influence started to ebb, it still featured some of the biggest stars of each decade, whether Janis Joplin, the Jackson 5, Talking Heads or Prince. But Clark never did book two of rock's iconic groups, the Beatles and the Rolling Stones. Elvis Presley also never performed, although Clark managed an on-air telephone interview while Presley was in the Army.
When Michael Jackson died in June 2009, Clark recalled working with him since he was a child, adding, "of all the thousands of entertainers I have worked with, Michael was THE most outstanding. Many have tried and will try to copy him, but his talent will never be matched."
Clark kept more than records spinning with his Dick Clark Productions. Its credits included the Academy of Country Music and Golden Globe awards; TV movies including the Emmy-winning "The Woman Who Willed a Miracle" (1984), the "$25,000 Pyramid" game show and the 1985 film "Remo Williams: The Adventure Begins." Clark himself made a cameo on "The Fresh Prince of Bel-Air" and a dramatic appearance as a witness on the original "Perry Mason." He was an involuntary part of Michael Moore's Academy Award-winning "Bowling for Columbine," in which Clark is seen brushing off Moore as the filmmaker confronts him about working conditions at a restaurant owned by Clark.
In 1974, at ABC's request, Clark created the American Music Awards after the network lost the broadcast rights to the Grammy Awards.
He was also an author, with "Dick Clark's American Bandstand" and such self-help books as "Dick Clark's Program for Success in Your Business and Personal Life" and "Looking Great, Staying Young." His unchanging looks inspired a joke in "Peggy Sue Gets Married," the 1986 comedy starring Kathleen Turner as an unhappy wife and mother transported back to 1960. Watching Clark on a black and white TV set, she shakes her head in amazement, "Look at that man, he never ages."
Clark's clean-cut image survived a music industry scandal. In 1960, during a congressional investigation of "payola" or bribery in the record and radio industry, Clark was called on to testify.
He was cleared of any suspicions but was required by ABC to divest himself of record-company interests to avoid any appearance of a conflict of interest. The demand cost him $8 million, Clark once estimated. His holdings included partial ownership of Swan Records, which later released the first U.S. version of the Beatles' smash "She Loves You."
In 2004, Clark announced plans for a revamped version of "American Bandstand." The show, produced with "American Idol" creator Simon Fuller, was to feature a host other than Clark.
He was diagnosed with type 2 diabetes in 1994 and served as spokesman for the American Association of Diabetes Educators.
Clark, twice divorced, had a son, Richard Augustus II, with first wife Barbara Mallery and two children, Duane and Cindy, with second wife Loretta Martin. He married Kari Wigton in 1977.

NEWS - BONO LEAVES POEM/NOTE IN GUESTBOOK AT JERUSALEMS KING DAVID HOTEL

POEM: BONO leaves note in the guestbook at Jerusalem’s King David Hotel

 

At the end of his visit in the Holy Land… BONO leaves note in the GuestBoo of the King David Hotel in Jerusalem… ENJOY.

“Hope is like a faithful dog, sometimes she runs ahead of me to check the future, to sniff it out and then I call to her: Hope, Hope, come here, and she comes to me. I pet her, she eats out of my hand and sometimes she stays behind, near some other hope maybe to sniff out whatever was. Then I call her my Despair. I call out to her. Here, my little Despair, come here and she comes and snuggles up, and again I call her Hope.

With great thanks for great room in great hotel in great city, Bono.”

Tuesday, April 17, 2012

ARTICLE - U2 LISTS: TOP 5 ESSENTIAL U2 BOOKS

U2 Lists: Top 5 Essential U2 Books

@U2, April 17, 2012
By: Tassoula E. Kokkoris

[Ed. note: This is the 37th in a "U2 Lists" series, where @U2 staffers pick a topic and share their personal rankings on something U2-related.]
It's a ritual for many people to want to read every book on the subject of something they love. Sometimes folks dive into the literary pool early on, as they're learning about their new passion; other times they catch up years later to rekindle the feeling that made them fall for the topic in the first place. Then of course, there are casual readers who may only ever read one or two books on any given theme.

Regardless of the reasons for reading, most are faced with a variety of choices about what to read, especially when investigating a subject as popular as U2.

I can safely say that I've ready every book printed in the English language about this band. I'll spare you the titles of the ones I felt like burning, and instead focus on what I believe are the best five (including passages from each after my descriptions).

5. Bono in Conversation with Michka Assayas, by Michka Assayas (2005)

This may be the closest thing we'll ever get to a memoir from Bono. He mentions in the foreword that he doesn't know why he agreed to the interviews, but he's glad that he did, hinting that the process was therapeutic. Assayas asks all the right questions, which dig deeply into Bono's spiritual beliefs, his family life, and of course — U2.

U2 were never dumb in business. We just had a strong sense of survival in us. We essentially became our own record company living in Dublin, not in London or New York, or Los Angeles. We don't sit around wondering about world peace all day long. We're not sitting around like a bunch of hippies. We're from punk rock and we're on top of it. —Bono


4. U2: A Diary, by Matt McGee (2008)

Full disclosure: The author of this book is the owner of this website. But I promise, the decision to include this book was purely my own (and knowing Matt, I'm sure it bugs him that I put it on the list). The fact is, it deserves its slot because it's the most comprehensive record of the band's history in existence, and it's frightfully accurate (trust me, I know — I was around in the days when he was researching all of those details and facts). Put simply, if you ever need to do "homework" on the band, there is no greater resource than this book.

June 2, 1987
During a restless night of sleep in London, Bono listens repeatedly to Roy Orbison's "In Dreams'". When he wakes up today, he decides to start writing a song for Orbison called "She's a Mystery to Me." He sings bits of the unfinished song to the band when they arrive at Wembley Arena for tonight's show. After the gig, there's a knock on U2's dressing room door: Security announces that Roy Orbison is here and would like to meet the band. Everyone is understandably shocked by the strange twist of fate.


3. Into the Heart, by Niall Stokes (1997, 2001, 2005, 2009)

Using a combination of extensive research, and conversations with Bono and various U2 associates, the Hot Press editor weaves a hazy, yet concentrated story about every song on each U2 studio album. Related photos and quotes help guide the author's artsy narrative through the genesis of U2's songwriting. Lyric nerds will especially love this read.

The recording of War had been exhilarating, tense and finally draining. There were times during the course of their incarceration in Windmill when Steve Lillywhite had had to push Bono to the limits, forcing him to sing until his throat bled. Now, there they were, a track short and with their allotted studio time almost up. The band had enjoyed themselves in the past improvising B-sides and starting and finishing songs in an hour. The results were usually throwaway, but what the hell? They wanted to get '40' done. Steve Lillywhite said to go for it.


2. U2 at the End of the World, by Bill Flanagan (1995)

This fly-on-the-wall account of the Zoo TV tour takes the cake for humor and unexpected twists. In fact, it may be the absolute best account of a rock band on the road in music history. Flanagan's unprecedented access to U2 on tour allowed him to witness not only how they interact with fans, but also with their families and each other. The way he paints each band member reflects how many still see them today: Bono, the bleeding heart; The Edge, a lovable nerd; Adam, the wild rebel; and Larry, the tough 'boss.' It's no wonder the band wasn't in love with this candid snapshot of their behavior, but if it were any other band, it could have been so much worse. And really, amidst the chaos, Flanagan does a great job of emphasizing the friendship and love among the Principle folks.

At 1 p.m. Larry strolls down the corridor looking for breakfast, wearing just a white hotel bathrobe and calling, "GOOD MORNING, VIETNAM!" He joins the four security men who are drinking coffee and checking off last night's log-in sheet. Adam returned to the hotel at 3 a.m., Edge at 5, Larry at 6, Bono at 10. The Final Week Iron Man Nightlife Marathon is under way.

1. U2 by U2 by U2 and Neil McCormick (2006)

Acclaimed music journalist (and childhood friend of U2) Neil McCormick sat with the band for over 150 hours, interviewing them individually and together about the story of their lives. What results is this definitive telling of how U2 came to be and still exists today. Because all four band members, and McCormick, are incredibly charismatic, nearly every page is laced with charming anecdotes. It also serves to set the story straight about many details of their milestones and personal lives. All self-respecting U2 fans should have this book on their shelf.

It was not a disagreeable head, in certain contexts it was quite handsome, but from the age of five as a result of this unusual development, I started to look unnervingly like the kid on the cover of Mad magazine. Along with the head came the teeth, or specifically my two front teeth. When they first appeared sprouting out of my gums, I knew there was something up. Their size was obvious from the beginning, and they grew in with a kind of terrible inevitability. —The Edge

Monday, April 9, 2012

NEWS - SMALL EARTHQUAKE RECORDED IN OKLAHOMA COUNTY

Small earthquake recorded in Oklahoma County

The 2.3 magnitude quake was centered about 3 miles northeast of Luther in Oklahoma County.

 
From Staff Reports | Published: April 9, 2012    Comment on this article 9
— A small earthquake was recorded shortly before 10 p.m. Sunday in central Oklahoma, the U.S. Geological Survey reported.
The 2.3 magnitude quake was centered about 3 miles northeast of Luther in Oklahoma County, and 6 miles west of Wellston in Lincoln County..
It was about 2.5 miles below the surface, the survey reported.

NEWS - CHURCH BELNDS MUSIC OF u2 IN TRADITIONAL SERVICE (now, THIS is a church id like to attend!)

Church blends music of U2 in traditional service

 

I have run

I have crawled

I have scaled these city walls

These city walls

Only to be with you

But I still haven’t found what I’m looking for



Is the singer of these lyrics proclaiming his feelings toward a romantic or a spiritual relationship?
Twelve years after the song’s release, in 1999, “I Still Haven’t Found What I’m Looking For” was used in the opening scene of the Julia Roberts’ movie “Runaway Bride” as she runs away, on horseback, from a wedding.
But for Mitch Jarvis, senior pastor at First United Methodist Church in Independence, the song’s spiritual connection is clear.
“It’s a song about the brokenness that we feel together,” Jarvis says. “We would say that there are a lot of people in the world today who are looking and searching and trying with everything they have to fill a void, but they still haven’t found what that something is.”
The song, one in a string of hits by the Irish rock band U2, was included in a combined Maundy Thursday service on the Square this week.
Now in his early 40s, Jarvis first heard U2’s post-punk music while in junior high school. He describes the band as “the Beatles of his generation.”
 The Dublin-based rock group formed in 1976 when its four founding members – all of whom are still part of U2 today – were just 15- and 16-year-old boys. As a teenager, Jarvis listened to the band during a time when the band quietly released its albums “Boy” and “October.”
Twenty-five years ago, though, U2 took off worldwide with the release of “The Joshua Tree” – and that’s when Jarvis says his appreciation for the group deepened, as well. He says he was drawn to the four members’ awareness of the world and their social consciousness toward issues like poverty.
With their close proximity on the Square, First United Methodist Church, First Presbyterian Church and First Christian Church come together to celebrate Maundy Thursday and Good Friday, among other holy days throughout the year.
And, with First United Methodist Church as the host for Maundy Thursday, Jarvis wanted to try something new – but not completely unique – with U2charist.
In the summer of 2005, the Rev. Paige Blair, an Episcopal priest in Maine, came up with the idea for U2charist and held the first service at her church, according to a 2006 USA Today article. Following her initial service, Blair consulted with several hundred churches in multiple states and countries for similar U2charist services in their congregations.


On the surface, many U2 lyrics may be interpreted as applying toward love and relationships. Upon closer examination, the band’s lyrical content includes social and political commentary, as well as spiritual undertones.
Like “I Still Haven’t Found What I’m Looking For,” several U2 songs were prominently displayed in ’90s movies and TV shows in scenes involving romantic relationships. “With or Without You” was featured in several episodes of the popular TV series “Friends” in the mid-1990s as two of the main characters came to terms with their troubled relationship.
Incidentally, these two songs also were part of Thursday’s service, their lyrics this time taking a more spiritual – but not explicitly Christian – interpretation.
But missing from the Maundy Thursday program were U2 songs with titles that are clearly more spiritually based than others, including “Yahweh,” “If God Will Send Us His Angels,” “Peace On Earth” and “In God’s Country.”
“I just didn’t think they would connect,” Jarvis says of why they weren’t included. “I just thought the other songs were more accessible.”
In Independence, the First UMC worship band performed two U2 songs while the rest of the music came through recordings and videos. Despite his strong admiration for U2, Thursday marked the first time that Jarvis had experienced a U2charist service. First United Methodist Church changed up the format a bit from the original, especially when Jarvis to make it part of Maundy Thursday.
A big part of Maundy Thursday, Jarvis says, is Jesus’ sense of community with those around him and his example of service. In conjunction with the music of U2, an awareness of poverty issues worldwide and in Eastern Jackson County was raised, and the evening’s offering went to Hillcrest Transitional Housing.
And with his idea of incorporating popular rock music into a worship service, Jarvis says he felt nervous and excited – for the same reasons – about how parishioners and his fellow congregation members alike might react.
“I don’t know that anything quite like this has ever been tried in this kind of setting,” Jarvis says, “so I’m nervous about that, but I’m also excited about that because nothing like this has ever really been tried here.”
A U2 fan since the early 1990s, First Presbyterian Church Pastor Dave Carlson, like Jarvis, never thought he’d attend a church service built around the band’s music. Carlson said he wasn’t nervous before Thursday’s service.


“I think it’ll speak for itself and touch people in a way that’s meaningful to them,” Carlson says. “Whether it is everyone’s cup of tea or not as far as how they prefer to worship, I still think they’ll get something out of it.”
Throughout history, different denominations of Christianity have contemporized parts of their service. Jarvis cites 16th century Archbishop Thomas Cranmer, who compiled the Book of Common Prayer in English, not Latin, in order to make prayer more accessible.
“We’re at such a time right now where the church has got to rethink our expression of faith so that we’re more accessible to newer generations of people,” Jarvis says. “This is an unapologetic attempt to do just that...”
Donna Rose-Heim, the transitional pastor at First Christian Church, says seeing the Gospel speak in new ways is always a positive experience. For those who weren’t as connected to the music, she says, they still felt connected through more traditional elements of the service, such as communion and the washing of the hands.
“I always thought it was good that I saw a lot more younger people at this event than I normally would,” Rose-Heim says. “The message of Jesus has lasted more than 2,000 years because it’s speaking to whatever generation we’re in. I’m really grateful to the people who came to connect and to worship even though that music wasn’t necessarily their thing because they knew the younger people needed to hear the Gospel. I really appreciated that.”
Jarvis wanted parishioners to experience surprise from the music, to have it speak to them in ways they weren’t expecting. Following the service, Jarvis says it went just as he had thought it would and was pleased overall with the positive feedback he received.
“I’m kind of a traditionalist when it comes to the Christian holidays,” says Vicky Reuter, a First United Methodist Church member who also sings in the worship band. “I was kind of wondering what U2 music had to do with Maundy Thursday, but they tweaked the service enough to make it fit into that, so I was pleasantly surprised.”
Bill Czeschin, a member of First Christian Church who attended Thursday’s service with his wife, Mary, had a similar reaction.
“I think something different is OK,” he says, “as long as you stick with the basics.”
For Jarvis, the chance was one well worth taking.
“It’s kind of risky,” he says, “but in a no-risk environment.”

Sunday, April 8, 2012

NEWS - 60 MINUTES ICON, MIKE WALLACE DIES AT AGE 93

April 8, 2012

60 Minutes icon Mike Wallace dies at 93

 

CBS News legend Mike Wallace, the 60 Minutes' pit-bull reporter whose probing, brazen style made his name synonymous with the tough interview -- a style he practically invented for television more than half a century ago -- died last night. He was 93 and passed peacefully surrounded by family members at Waveny Care Center in New Canaan, Conn., where he spent the past few years. He also had a home in Manhattan.

"It is with tremendous sadness that we mark the passing of Mike Wallace. His extraordinary contribution as a broadcaster is immeasurable and he has been a force within the television industry throughout its existence. His loss will be felt by all of us at CBS," said Leslie Moonves, president and CEO, CBS Corporation.
"All of us at CBS News and particularly at 60 Minutes owe so much to Mike. Without him and his iconic style, there probably wouldn't be a 60 Minutes. There simply hasn't been another broadcast journalist with that much talent. It almost didn't matter what stories he was covering, you just wanted to hear what he would ask next. Around CBS he was the same infectious, funny and ferocious person as he was on TV. We loved him and we will miss him very much," said Jeff Fager, chairman CBSNews and executive producer of 60 Minutes.
A special program dedicated to Wallace will be broadcast on 60 Minutes next Sunday, April 15.
Wallace was as famous as the leaders, newsmakers and celebrities who suffered his blistering interrogations, winning awards and a reputation for digging out the hidden truth on Sunday nights in front of an audience that approached 40 million at broadcast television's peak.


Wallace played a huge role in 60 Minutes' rise to the top of the ratings to become the number-one program of all time, with an unprecedented 23 seasons on the Nielsen annual top 10 list -- five as the number-one program.

He announced he would step down to become a "correspondent emeritus" in the spring of 2006, but Wallace continued to land big interviews for 60 Minutes. His last appearance on television, on January 6, 2008, was a sit-down on 60 Minutes with accused steroid user Roger Clemens that made front-page news. His August 2006 interview of Iranian President Mahmoud Ahmadinejad won him his 21st Emmy at the age of 89. He was also granted the first post-prison interview with assisted suicide advocate-and convicted killer Dr. Jack Kevorkian for a June 2007 60 Minutes broadcast. After a successful triple bypass operation in late January 2008, he retired from public life.

Decades before his 60 Minutes success, Wallace was already known to millions. In the early days of broadcasting, with no line between news and entertainment, Wallace did both in the 1940s and '50s. He appeared on a variety of radio and television programs, first as narrator/announcer, then as a reporter, actor and program host. On his first network television news program, ABC's "The Mike Wallace Interview," he perfected his interviewing style that he first tried on a local New York television guest show called "Night Beat." Created with producer Ted Yates, "Night Beat" became an instant hit that New Yorkers began referring to as "brow beat." Wallace's relentless questioning of his subjects proved to be a compelling alternative to the polite chit-chat practiced by early television hosts.

Years later, CBS News producer Don Hewitt remembered that hard-charging style when creating his pioneering news magazine, 60 Minutes; he picked Wallace to be a counterweight to the avuncular Harry Reasoner. On September 24, 1968, Wallace and Reasoner introduced 60 Minutes to the 10:00 PM timeslot, where it ran every other Tuesday but failed to draw large audiences. But critics praised it, awards followed, and after seven years on various nights, 60 Minutes went to 7:00 PM Sunday and began its rise. It made the top 20 in 1977 and the top 10 in 1978, then became the number-one program in 1980 -- all with a tough-talking Wallace center stage.


Each week, "60 Minutes" viewers could expect the master interviewer to ask the questions they wanted answered by the world's leaders and headliners. Wallace did not disappoint them, often revealing more than the public ever hoped to see. He got the stoic Ayatollah Khomeini to smile during the Iranian hostage crisis in 1979 when he asked him what he thought about being called "a lunatic" by Egyptian President Anwar Sadat. The Ayatollah answered by correctly predicting that Sadat would be assassinated.
The same year, Johnny Carson called Wallace "cruel" during an interview after Wallace asked, "It takes one to know one?" when the late-night star took pity on an alcoholic newsmaker. Her fans protested when Wallace brought Barbra Streisand to the emotional edge in 1991 by revealing that her own mother had told him that Barbara "was too busy to get close to anyone."
He never softened, even in his 80s. In a 2001 interview about his Broadway mega hit "The Producers," Mel Brooks began an angry rant against anti-Semitism prompted by Wallace's suggestion that his claims of bias were exaggerated. In 2003, he wrung tears out of one of the most feared defensive players in NFL history when he read lines to Lawrence Taylor spoken by Taylor's son.
Wallace was also known for pioneering the "ambush" interview, presenting his unsuspecting interviewee with evidence of malfeasance - often obtained by hidden camera - then capturing the stunned reaction. Two of the more famous exposes in this genre that used hidden cameras were investigations of a phony cancer clinic and a laboratory offering Medicaid kickbacks to doctors. Presenting interviewees with their own misdeeds became a "60 Minutes" staple, but the hidden camera and ambush were later shunned as they were widely imitated, and even Wallace admitted their use was to "create heat, rather than light."
Sometimes the feisty reporter was the story, getting arrested in Chicago in 1968 on the floor of the Democratic Convention, and making headlines 36 years later, at the age of 86, when words with a New York City Taxi and Limousine Commission officer resulted in an arrest for disorderly conduct.
Wallace drew attention also for taking on controversial subjects. From legal prostitution at Las Vegas' Mustang Ranch, to child pornography to gay police officers - a 1992 report that won him an Emmy - no subject was taboo.
No story generated more controversy than Wallace's 1998 interview with euthanasia practitioner Dr. Jack Kevorkian. Wallace and "60 Minutes" took heat for broadcasting Kevorkian's own tape showing him lethally injecting a man suffering from amyotrophic lateral sclerosis. The death of Thomas Youk broadcast on "60 Minutes" made headlines and the editorial pages, generating discussion about euthanasia for weeks. The tape also served as evidence to convict Kevorkian of murder.
In another controversy, Wallace's 1995 interview of Jeffrey Wigand, the highest-ranking tobacco executive to turn whistle-blower, was held back for fear of a multi-billion dollar lawsuit that could have bankrupted CBS. The interview, in which Wigand revealed tobacco executives knew and covered up the fact that tobacco caused disease, was eventually broadcast on "60 Minutes" in February 1996. The incident became the subject of the film, "The Insider" (in which Wallace was played by Christopher Plummer).
Wallace was also at the center of one of the biggest libel suits ever, threatening his journalistic integrity and ultimately plunging him into a clinical depression. Gen. William Westmoreland, who commanded the U.S. military in Vietnam, sued CBS and Wallace for a 1982 "CBS Reports" documentary alleging the general had deceived the American people by undercounting the enemy in Vietnam. The $120 million suit against "The Uncounted Enemy: A Vietnam Deception," went to trial in 1984 and lasted months before Westmoreland withdrew it just before Wallace was to testify in early 1985. ,/P>
The grueling test became a defining moment in Wallace's life. Medication and therapy helped him overcome his initial depression and a later relapse, and he became a heroic example to fellow sufferers, speaking publicly for the rest of his life to de-stigmatize the disorder. He revealed years later to colleague Morley Safer in a "60 Minutes" special on his life that he had attempted suicide during the lawsuit crisis.


In another celebrated case that took 12 years to play out, Wallace's producer Barry Lando was sued for $44 million by Lt. Col. Anthony Herbert. The libel suit against Wallace's 1973 60 Minutes report, "The Selling of Colonel Herbert," caused a precedent-setting Supreme Court ruling allowing lawyers to question the thoughts and opinions of reporters. Initially, CBS lawyers argued successfully in a New York federal appeals court that Lando could not be questioned that way as it would infringe on the editorial process protected under the First Amendment. But the Supreme Court in 1979 reversed it, ruling that Herbert was entitled to know the producer's mindset, as it was crucial to proving malice. Nevertheless, the report was accurate in its main elements, and, in 1986, Herbert v. Lando was thrown out.

The road to 60 Minutes began for Wallace when his son, Peter, died in a hiking accident in Greece in 1962. Wallace's jobs in broadcasting then included entertainment programs and commercials in addition to reporting, but he decided then that he would devote his career to journalism alone to honor Peter, a Yale student who aspired to a writing career. Wallace's other son, Chris, became a journalist and is currently host of "Fox News Sunday."

Wallace went to Vietnam, India and Africa to report for Westinghouse Radio's "Around the World in 40 Days," but really wanted to be hired by CBS News, the "mother church," as he often referred to it. He was turned down at first, despite some remarkable documentary work, including a breakthrough piece on black Muslims, "The Hate that Hate Produced." In fact, CBS News wouldn't broadcast a documentary on nuclear proliferation that he reported because he appeared in cigarette ads. Promising to drop commercial work, he was made a correspondent at CBS News in 1963.
Starting first on "CBS Morning News With Mike Wallace," he went on to contribute to most of the Network's other news programs, including the "CBS Evening News With Walter Cronkite," reporting from Vietnam, Washington and the campaign trail in 1968 with Richard Nixon - who offered Wallace the White House press secretary job. He made news at the Democratic National Convention in Chicago that year by getting ejected from the proceedings for an altercation with police on the convention floor.

It wasn't the first time Wallace had worked for CBS. He began at the Network in 1951, when he and his wife, Buff Cobb, with whom he hosted "The Chez Show" on local Chicago television, were invited to New York. He did several CBS programs, two with Cobb: "Mike and Buff," an afternoon talk show that was television's first color telecast, and an on-location interview program called "All Around the Town." As was the norm then, he also reported for the news division, covering political conventions and other events.

Leaving CBS in 1955, his career through the early 1960s became a hodgepodge of appearances for the tireless broadcaster, who was seen on all three networks and several independent stations. He even starred briefly in a Broadway production of "Reclining Figure" and played himself in Elia Kazan's celebrated film about the media, "A Face in the Crowd." He did the TV quiz show "The Big Surprise" and the radio show "Weekday," but he never lost sight of his true calling. It was also during this time that he began "Night Beat," anchored the original Peabody-Award winning series "Biography," anchored and reported several documentaries, including "The Race for Space," and headed up the news department of local New York station WNTA. Then on channel 13, WNTA was the first television station in the U.S. to broadcast a half-hour news program; it was called "News Beat" and Wallace anchored it. He also continued "The Mike Wallace Interview" on WNTA in 1959, as the ABC Network, its previous home, dropped the program because it became too controversial.

Myron Leon Wallace was born in Brookline, Mass., on May 9, 1918. He attended Brookline High School and was graduated from the University of Michigan in 1939 with a B.A. degree in liberal arts. He became acquainted with radio at the college station and, after graduation, a professor helped him land his first job as an announcer and "rip-and-read" reporter for WOOD-WASH, a Grand Rapids, Mich. radio station.


He made his network radio debut in 1940 at WXYZ in Detroit, where he was the narrator for "The Green Hornet" and a "Cunningham News Ace," reading the news sponsored by the Cunningham Drug store chain. He soon moved to Chicago and by 1941, Wallace was beginning to make a name for himself as a news writer and broadcaster on "The Air Edition of the Chicago Sun." He joined the U.S. Navy in 1943 and served aboard a submarine tender in the Pacific as a communications officer. In 1946, he returned to Chicago to resume his broadcasting career. There, on WMAQ radio, he hosted his first interview program, "Famous Names," which led to a raft of broadcasting appearances, including his first network television appearance as the lead in a police drama, "Stand By For Crime." The 1949 show was the first to be transmitted from Chicago to the East Coast. Two years later, Wallace joined CBS in New York, where he lived ever since.
Wallace authored several books, including: "Mike Wallace Asks," a compilation of interviews from "Night Beat" and "The Mike Wallace Interview" published in 1958; his memoir, "Close Encounter," co-authored with Gary Paul Gates, in 1984; and "Between You and Me," also with Gates, in 2005.
Part of his rich legacy includes the Knight-Wallace Fellowship and Mike and Mary Wallace House at his alma mater, the University of Michigan. Wallace's donations support this in-residence study program begun in 1994 for professional journalists seeking to improve their knowledge in a desired field or issue.
Wallace is survived by his wife, the former Mary Yates; his son, Chris; a stepdaughter, Pauline Dora; two stepsons, Eames and Angus Yates; seven grandchildren; and four great-grandchildren. At the family's request, donations can be made in Wallace's name to Waveny Care Center, 3 Farm Rd., New Canaan, Conn.